Arthur Bailey
Built in 1963, the striking
cedar-clad pointed roof with a window split through is
undeniably inspired by Scandinavian post-war churches, notably the
Hyvinkään Kirkko by Aarno Rusuvuori in Finland (1961). The
roof is grounded by thick brick walls that protrude and
retract around deep-set windows, bringing to mind Le
Corbusier’s Ronchamp de Notre Dame. Their sloping coarse brick
surfaces (originally intended to be whitewashed) are designed
to represent the ground from which they break. The
building appears to erupt out of the ground, like a budding
plant in spring. Inside the church, the square plan and diagonally-canted pews mark the adaptation to centrally
orientated liturgical practice. The architect, Arthur Bailey,
is better known for his austere Dutch Church in Austin
Friars, London and restoration of blitzed churches, including
Hawksmoor’s St George’s in the East. Quite what
compelled such an otherwise conservative designer to embrace
such a modern and sculptural form is a mystery, and we can
only speculate that he was inspired by travels abroad or a
fresh influence in the studio. |
PROPHET IN STONE Arthur Bailey died rather suddenly at Bournemouth, after seeming to be on the mend from a long illness which caused him to retire some ten years ago. He was an architect whose work covered a wide field: bridges over motorways and along them, churches in a wide variety of styles - the extension of Sheffield Cathedral - a wonderful design for Liverpool Roman Catholic Cathedral which took third prize and unfortunately did not go beyond the drawing board. St George-in-the-East did. It reflects the genius of a devoted Christian who said often that his sense of privilege in being asked to build and re-build or restore the house of God brought out the best skills and gave real satisfaction to him. BOWED HIS HEAD Those of us who watched him and worked with him on St George's for four years realised that the keystone of his success was a dedication that was spiritually alive. On each visit to the site he would stand where the altar was to be with bowed head, quite alone, seeking grace to know how to achieve this unique restoration. Later, when the altar stood and the very heart of the magnificent chancel, he stood in characteristic attitude, no doubt with thoughts of gratitude in his own heart for making a vision come to life. At the rededication the camera caught him with head bowed in the courtyard with the Bishop of London and the officers and friends of St George's. HAWKSMOOR - IN MODERN IDIOM Prophets down the ages have seen visions of God and translated the spiritual message into human language. Arthur Bailey, the author of the restoration of St George-in-the-East, did the same for the house of God in forms of stone, wood, glass and glorious line. The theme of his thinking for at least five years prior to 1964: "We must use modern materials in the idiom of Nicholas Hawksmoor." His rest at the end of a life so rich in the cultivation of spiritual values in architecture is well earned. We can assure his wife Phil and his son Martin, Carol and the girls of our gratitude and sympathy. He will live on in at least one of his great achievements. Tens of thousands of people who have admired St George's "rise up and call him blessed". |
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